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Throughout human history people have moved across national borders. With the advent of globalization, they are now moving in record numbers in search of greater security or better livelihoods. Diasporas have become an ever important and visible presence in the modern world. Their existence has sometimes resulted in violence and ethnic conflict, and on other occasions they have been peacefully assimilated into the culture and citizenship of their chosen country. This comprehensive new book seeks to explain why Diaspora communities are increasing as never before. In an accessible and engaging introduction to the field, Milton Esman looks closely at the difference in the reception of Diaspora communities throughout the world, and the responses of those communities to their new nations. By focusing on ten examples of contemporary Diasporas from Asia, the Middle East, Europe and the Americas, the book describes and illustrates the problems confronting immigrant communities as they attempt to protect their inherited culture, while coping with the demands and the opportunities they encounter in their adopted country. The book pays particular attention to the types of conflicts that arise from the development of Diaspora communities, and the consequences that these conflicts can have on the international community. This book will be essential reading for students and scholars taking courses in international relations, political sociology, ethnic politics and conflict studies.

Diasporas in Dialogue is an indispensable guide for those leading or participating in dialogue processes, especially in ethnically diverse communities. The text offers both a theoretical and practical framework for dialogue, providing insight into the needs, assets and challenges of working in this capacity. The first book to offer structured processes for dialogue with refugee communities – demonstrates how diaspora communities can be engaged in dialogue that heals, reconciles and builds peace Relates the story of the Portland Diaspora Dialogue Project, a remarkable collaboration between university researchers and African community activists committed to helping newly arrived refugees Written accessibly to provide practitioners, academics, and community members with a simple and cogent account of how, step by step, the process of healing communities and re-building can begin Published at a critical time in the face of the worldwide refugee crisis, and offers helpful frameworks and practical tools for dialogue in situations where individuals and communities are displaced

Winner of the 2013 Modern Language Association's William Sanders Scarborough Prize for Outstanding Scholarly Study of Black American Literature In this comparative study of contemporary Black Atlantic women writers, Samantha Pinto demonstrates the crucial role of aesthetics in defining the relationship between race, gender, and location. Thinking beyond national identity to include African, African American, Afro-Caribbean, and Black British literature, Difficult Diasporas brings together an innovative archive of twentieth-century texts marked by their break with conventional literary structures. These understudied resources mix genres, as in the memoir/ethnography/travel narrative Tell My Horse by Zora Neale Hurston, and eschew linear narratives, as illustrated in the book-length, non-narrative poem by M. Nourbese Philip, She Tries Her Tongue, Her Silence Softly Breaks. Such an aesthetics, which protests against stable categories and fixed divisions, both reveals and obscures that which it seeks to represent: the experiences of Black women writers in the African Diaspora.Drawing on postcolonial and feminist scholarship in her study of authors such as Jackie Kay, Elizabeth Alexander, Erna Brodber, Ama Ata Aidoo, among others, Pinto argues for the critical importance of cultural form and demands that we resist the impulse to prioritize traditional notions of geographic boundaries. Locating correspondences between seemingly disparate times and places, and across genres, Pinto fully engages the unique possibilities of literature and culture to redefine race and gender studies.