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Bony Blithe Light Mystery Award 2015 – Nominated Faith healers, movie moguls, and social-climbing fraudsters collide in Depression-era Los Angeles It’s the Great Depression and Mary Mabel McTavish is suicidal. A drudge at the Bentwhistle Academy for Young Ladies (aka Wealthy Juvenile Delinquents), she is at London General Hospital when little Timmy Beeford is carried into emergency and pronounced dead. He was electrocuted at an evangelical road show when the metal cross on top of the revival tent was struck by lightning. Believing she’s guided by her late mother, Mary Mabel lays on hands. Timmy promptly returns to life. William Randolph Hearst gets wind of the story and soon the Miracle Maid is rocketing from the Canadian backwoods to ’30s Hollywood. Jack Warner, J. Edgar Hoover, and the Rockettes round out a cast of Ponzi promoters, Bolshevik hoboes, and double-dealing social climbers in a fast-paced tale that satirizes the religious right, media manipulation, celebrity, and greed.

A world-renowned Pomo basket weaver and medicine woman, Mabel McKay expressed her genius through her celebrated baskets, her Dreams, her cures, and the stories with which she kept her culture alive. She spent her life teaching others how the spirit speaks through the Dream, how the spirit heals, and how the spirit demands to be heard.<br /><br />Greg Sarris weaves together stories from Mabel McKay's life with an account of how he tried, and she resisted, telling her story straight—the white people's way. Sarris, an Indian of mixed-blood heritage, finds his own story in his search for Mabel McKay's. Beautifully narrated, <i>Weaving the Dream</i> initiates the reader into Pomo culture and demonstrates how a woman who worked most of her life in a cannery could become a great healer and an artist whose baskets were collected by the Smithsonian.<br /><br />Hearing Mabel McKay's life story, we see that distinctions between material and spiritual and between mundane and magical disappear. What remains is a timeless way of healing, of making art, and of being in the world. Sarris’s new preface, written expressly for this edition, meditates on Mabel McKay’s enduring legacy and the continued importance of her teachings.