Tabula Picta
Автор: Marta Madero
Год издания: 0000
To whom does a painted tablet—a tabula picta —belong? To the owner of the physical piece of wood on which an image is painted? Or to the person who made the painting on that piece of wood? By extension, one might ask, who is the owner of a text? Is it the person who has written the words, or the individual who possesses the piece of parchment or slab of stone on which those words are inscribed? In Tabula Picta Marta Madero turns to the extensive glosses and commentaries that medieval jurists dedicated to the above questions when articulating a notion of intellectual and artistic property radically different from our own. The most important goal for these legal thinkers, Madero argues, was to situate things—whatever they might be—within a logical framework that would allow for their description, categorization, and placement within a proper hierarchical order. Only juridical reasoning, they claimed, was capable of sorting out the individual elements that nature or human art had brought together in a single unit; by establishing sets of distinctions and taxonomies worthy of Borges, legal discourse sought to demonstrate that behind the deceptive immediacy of things, lie the concepts and arguments of what one might call the artifices of the concrete.
TABULAS. Философские размышления
Автор: Терентiй Травнiкъ
Год издания:
Tabulas – короткие, но емкие и запоминающиеся философские размышления Терентия Травника, касающиеся разных сторон жизни человека – внешних и внутренних: детства, старости, смерти, зависти, патриотизма и многого другого, с чем соприкасается каждый человек. Авторские табулы располагают читателя задуматься над своей жизнью, ее смыслом, попытаться заглянуть в себя и, правильно расставив жизненные приоритеты, постараться изменить себя, образ мыслей и свою жизнь к лучшему.
Tabula Rasa
Автор: Shelly Reuben
Год издания:
Tabularium Historiae T. IV: 2018
Автор: Группа авторов
Год издания:
Constabulary
Автор: Hereward Senior
Год издания:
The insular character of Britain delayed the creation of professional police until the 19th century. This volume traces the course of British amateur policing until that time, at which point it deals with the foundation of the London Metropolitan Police and efforts to create similar professional urban institutions in New York and Montreal. Due attention is also given to the fact that very different conditions in rural Ireland necessitated the creation of a para-military type of force, which in turn served as the model for police in the countryside throughout the Empire. The nature of these derivative organizations and the way they were able to serve the needs of such varied societies as India, Australia, South Africa and Canada are examined. The several alternatives to Irish-style police which were attempted in the United States – Texas Rangers, private detective agencies, sheriffs, marshalls, and vigilante committees – are also considered. The point of this work is to present a comparative study of law enforcement agencies with a Common Law tradition working in otherwise considerably different countries.