Найти книгу: "Title and Deed / Oh, the Humanity and other good intentions"

"A haunting and often fiercely funny meditation on life as a state of permanent exile… The marvel of Mr. Eno’s voice is how naturally it combines a carefully sculptured lyricism with sly, poker-faced humor. Everyday phrases and familiar platitudes—‘Don’t ever change,’ ‘Who knows’—are turned inside out or twisted into blunt, unexpected punch lines punctuating long rhapsodic passages that leave you happily word-drunk." —Charles Isherwood, New York Times on Title and Deed"Title and Deed is daring within its masquerade of the mundane, spectacular within its minimalism and hilarious within its display of po-faced bewilderment. It is a clown play that capers at the edge of the abyss… Eno’s voice is unique; his play is stage poetry of a high order. You can’t see the ideas coming in Title and Deed. When they arrive—tiptoeing in with a quiet yet startling energy—you don’t quite know how they got there. In this tale’s brilliant telling, it is not the narrator who proves unreliable but life itself. The unspoken message of Eno’s smart, bleak musings seems to be: enjoy the nothingness while you can." —John Lahr, New Yorker"Eno is a supreme monologist, using a distinctive, edgy blend of non sequiturs and provisional statements to explore the fragility of our existence… There are a lot of words, but they are always exquisitely chosen… Oh, the Humanity reveals that we are beautiful walking tragedies blinking with absurd optimism into the camera lens of history." —Lyn Gardner, GuardianKnown for his wry humor and deeply moving plays, Will Eno's «gift for articulating life's absurd beauty and its no less absurd horrors may be unmatched among writers of his generation» (New York Times). This new volume of the acclaimed playwright's work includes five short plays about being alive—Behold the Coach, in a Blazer, Uninsured; Ladies and Gentlemen, the Rain; Enter the Spokeswoman, Gently; The Bully Composition; and Oh, the Humanity—as well as Title and Deed, a haunting and severely funny solo rumination on life as everlasting exile.WILL ENO is a fellow of Residency Five at Signature Theatre Company in New York. His play The Open House premiered at Signature in 2014, and received an Obie Award, the Lucille Lortel Award for Best Play, and a Drama Desk Special Award. His play The Realistic Joneses premiered at Yale Repertory Theatre in 2012, and was produced on Broadway in 2014, for which he and the cast received a Drama Desk Special Award. His play Title and Deed premiered at Signature in 2012 and was presented at the Edinburgh Fringe Festival in 2014. Both Title and Deed and The Realistic Joneses were included in the New York Times Best Plays List of 2012. Gnit, an adaption of Ibsen’s Peer Gynt, premiered at Actors Theatre of Louisville in 2013. Middletown, winner of the Horton Foote Prize, premiered at the Vineyard Theatre in New York in 2010, and was then produced at Steppenwolf Theatre Company in Chicago in 2011. Thom Pain (based on nothing) was a finalist for the 2005 Pulitzer Prize and has been translated into many languages. The Flu Season premiered at the Gate Theatre in London in 2003, and later received the Oppenheimer Award for best New York debut production by an American writer. Tragedy: a tragedy premiered at the Gate Theatre in 2001, and was subsequently produced by Berkeley Repertory Theatre in 2008. Mr. Eno lives in Brooklyn with his wife Maria Dizzia and their daughter Albertine.

Эта книга - сборник фотографий различных животных в движении. Фотографии сделаны со скоростью 1/2000 секунды, и полученные секвенции кадров представляют собой типичные движения лошадей и других животных на расчерченном вспомогательной сеткой фоне. Большинство секвенций включают снимки с нескольких углов зрения. Лошади показаны в ходьбе, рыси, легком галопе, галопе, тянущими повозку и т.д. Также представлены движения собак, кошек, свиней, слона, козы, птиц и др. Книга является репринтом издания, выпущенного в 1887 году. На мой взгляд, будет полезна художникам в качестве референсов при изображении животных.

Героини книги – бабушки, наши ангелы-хранители. Судьба каждой из них неповторима, а истории любви достойны пера романиста. Наряду со свидетельствами мемуаристов XIX века в книге представлены воспоминания наших современников. Авторов объединяет «память сердца» и благодарность к тем, кто сумел предать внукам творческое отношение к жизни, сострадание к людям, любовь к искусству и природе.

Barzai the Wise, a high priest and prophet greatly learned in the lore of the "gods of earth", or Great Ones, attempts to scale the mountain of Hatheg-Kla in order to look upon their faces, accompanied by his young disciple Atal. Upon reaching the peak, Barzai at first seems overjoyed until he finds that the "gods of the earth" are not there alone, but rather are overseen by the "other gods, the gods of the outer hells that guard the feeble gods of earth!" Atal flees and Barzai is never seen again.

A hilarious and cutting critique of what not to do, this deliciously wicked essay lays out what writers should and must do if they want their fiction to live and breathe ? as Twain's own fiction always does. In "How to Tell a Story," the title piece, Twain takes on such mysteries as the perfectly-timed pause and the uses of the dead-pan mask, and candidly describes his own efforts to hone his platform skills.

"The Great Shadow and other Napoleonic Tales", is an Action & Adventure novel published in 1892. The novel takes place in the Napoleonic era on the English-Scottish border city called West Inch. The Great Shadow refers to the Napoleon’s influence and his reputation that forms a shadow over West Inch.