Найти книгу: "Female Snipers"

This is the third book in the SNIPER saga! It is now over six years since the civil war had started in Australia. Many people had died including the young and innocent. Freya Hill and Doctor Roman Ruffe were now dead and buried. Also not so young but still innocent bystanders have died in many atrocities during this civil war. Mary Feelgood was killed along with many other in a train bombing. One of Australia's greatest ever sporting heroes was shot dead for his defiance of state terrorism. But still the government side was slowly winning the battles that mattered. After six years of military actions against rebel forces the government of President Dent now controlled all the major towns and cities of Australia. Only the vastness of the Australian bush land had saved the remaining rebel forces from total annihilation. The rebel forces could really only provide small pockets of effective resistance. Protected in certain country areas by a local population that was permanently anti government these pockets of rebel fighters were protected by their snipers. But they were up against the latest advanced military weaponry. President Dent had done a deal with one of the world's superpowers. By giving this superpower unfettered use of Australia's ports and bases on the mainland, Dent got the use of advanced drone aircraft and top cyber intelligence. As long as he lived the rebel alliance was going to lose this civil war. Already three commando snipers were beginning to take out top rebel commanders almost at will. The rebels had no other choice they had to kill President Dent if they wanted to survive in their own country.

Erotic Ambiguities explores how feminist artists have responded to traditional depictions of the "ideal female body" which proliferate throughout contemporary visual culture. Across photography, fashion, painting and performance art, McDonald shows how feminist artists have employed the idea of ambiguity to counter negative images of women and to dismantle the elusive classical ideal enshrined in "the nude." Examining the work of key artists from Barbara Kruger, Judy Chicago, and Mary Duffy, to Zoe Leonard, Tracey Moffat, Pat Barrington and Sally Smart, McDonald traces the shift in feminist art practices from the early deconstruction of patriarchal representations to the more ambivalent contemporary practices.