Найти книгу: "One Forbidden Evening"

USA Today bestselling author Jo Goodman's sweeping new novel brings to life a tale of courage, desire, and dangerous secrets–as an intrepid beauty discovers that love and trust are two sides of the same coin. . . Wyatt Grantham, Viscount Sheridan, is stunned to find three young boys at his door, demanding he right the wrongs of an incident that occurred earlier that evening when he thwarted a determined thief. When he discovers his wily pickpocket is a woman, now gravely injured, he takes his flame-haired attacker under his wing. Clearly, Sheridan's new «guest» is lady of quality. So how did she become a common street thief? He finds himself irresistibly drawn the to clever, cheeky Lily, and determined to unlock her mysteries. . . The five years since she left the care of the French convent have been a nightmare for Lily. Her secrets are dangerous–as is the powerful man determined to find her. The handsome Viscount is clearly a gentleman with secrets of his own, but staying with him could mean the difference between life and death for Lily. With each passing day, her handsome host turns Lily's convalescence into an increasingly sensual escape. Now her greatest challenge may be imagining anything less than a future in his arms. . .

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In one corner, a godless young warrior, Voltaire’s heralded ‘philosopher-king’, the It Boy of the Enlightenment. In the other, a devout if bad-tempered old composer of ‘outdated’ music, a scorned genius in his last years. The sparks from their brief conflict illuminate a turbulent age.Behind the pomp and flash, Prussia's Frederick the Great was a tormented man, son of an abusive king who forced him to watch as his best friend (probably his lover) was beheaded. In what may have been one of history's crueler practical jokes, Frederick challenged ‘old Bach’ to a musical duel, asking him to improvise a six-part fugue based on an impossibly intricate theme (possibly devised for him by Bach's own son).Bach left the court fuming, but in a fever of composition, he used the coded, alchemical language of counterpoint to write ‘A Musical Offering’ in response. A stirring declaration of faith, it represented ‘as stark a rebuke of his beliefs and world view as an absolute monarch has ever received,’ Gaines writes. It is also one of the great works of art in the history of music.Set at the tipping point between the ancient and the modern world, the triumphant story of Bach's victory expands to take in the tumult of the eighteenth century: the legacy of the Reformation, wars and conquest, the birth of the Enlightenment. Brimming with originality and wit, ‘Evening in the Palace of Reason’ is history of the best kind – intimate in scale and broad in its vision.