Найти книгу: "Imagine Me"

The book that all SHATTER ME fans have been waiting for is finally here. The finale of Tahereh Mafi's New York Times bestselling YA fantasy series perfect for fans of Sarah J. Maas, Victoria Aveyard's The Red Queen, Stranger Things and Leigh Bardugo's Six of CrowsJuliette Ferrars. Ella Sommers. Which is the truth and which is the lie?Now that Ella knows who Juliette is and what she was created for, things have only become more complicated. As she struggles to understand the past that haunts her and looks to a future more uncertain than ever, the lines between right and wrong – between Ella and Juliette – blur. And with old enemies looming, her destiny may not be her own to control. The day of reckoning for the Reestablishment is coming. But will the choice of which side to fight on be hers?Tahereh Mafi is the New York Times bestselling author of the Shatter Me series which has been published in over 30 languages around the world. She was born in a small city somewhere in Connecticut and currently resides in Santa Monica, California, with her husband, Ransom Riggs, fellow bestselling author of Miss Peregrine's Home For Peculiar Children, and their young daughter. She can usually be found overcaffeinated and stuck in a book. Follow her on Instagram and Twitter @TaherehMafiPRAISE FOR THE SHATTER ME SERIES:"Dangerous, sexy, romantic, and intense. I dare you to stop reading." – Kami Garcia, #1 New York Times bestselling co-author of the Beautiful Creatures series"Addictive, intense, and oozing with romance. I'm envious. I couldn't put it down." – Lauren Kate, #1 New York Times bestselling author of the Fallen series"Tahereh Mafi's bold, inventive prose crackles with raw emotion. A thrilling, high-stakes saga of self-discovery and forbidden love, the Shatter Me series is a must-read for fans of dystopian young adult literature – or any literature!" -Ransom Riggs, #1 New York Times bestselling author of Miss Peregrine's Home for Peculiar Children"IGNITE ME really does ignite all five of your senses. It blows your mind and makes you hungry for more of its amazing characters. It will completely blow your expectations; Tahereh Mafi truly knows how to deliver!" – Teenreads.com

Монография представляет собой серию очерков, в которых обобщены результаты многолетней работы авторов по изучению восприятия и репрезентации пространства на основе античных, арабо-иерсидских и скандинавских нарративных источников. Первая часть, написанная А. В. Подосиновым, показывает, как складывалась картина мира древнего человека, как проходило освоение окружающего его Земного пространства и какую роль играла ориентация по странам света в сакральной и профанной жизни общества. Вторая часть, подготовленная И. Г. Коноваловой, включает в себя исследование представлений о пространстве ислама, его иерархии, границах, ценностных характеристиках «своего» и «чужого» пространства по данным арабо-персидской географической литературы. В третьей части, написанной Т. Н. Джаксон, воссоздана целостная система пространственного видения древних скандинавов. Для специалистов в области отечественной и всеобщей истории, истории географии и картографии, топонимики.

Программа «Виват История» отвечает на вопросы слушателей.Все, что вас интересует не только в русской, но и в мировой истории. Ведущий программы – историк Сергей Виватенко.

The definitive history of Peter Jackson’s Middle-earth saga, Anything You Can Imagine takes us on a cinematic journey across all six films, featuring brand-new interviews with Peter, his cast & crew. From the early days of daring to dream it could be done, through the highs and lows of making the films, to fan adoration and, finally, Oscar glory.Lights A nine-year-old boy in New Zealand’s Pukerua Bay stays up late and is spellbound by a sixty-year-old vision of a giant ape on an island full of dinosaurs. This is true magic. And the boy knows that he wants to be a magician.Camera Fast-forward twenty years and the boy has begun to cast a spell over the film-going audience, conjuring gore-splattered romps with bravura skill that will lead to Academy recognition with an Oscar nomination for Heavenly Creatures. The boy from Pukerua Bay with monsters reflected in his eyes has arrived, and Hollywood comes calling. What would he like to do next? ‘How about a fantasy film, something like The Lord of the Rings…?’Action The greatest work of fantasy in modern literature, and the biggest, with rights ownership so complex it will baffle a wizard. Vast. Complex. Unfilmable. One does not simply walk into Mordor – unless you are Peter Jackson.Anything You Can Imagine tells the full, dramatic story of how Jackson and his trusty fellowship of Kiwi filmmakers dared take on a quest every bit as daunting as Frodo’s, and transformed JRR Tolkien’s epic tale of adventure into cinematic magic, and then did it again with The Hobbit. Enriched with brand-new interviews with Jackson, his fellow filmmakers and many of the films’ stars, Ian Nathan’s mesmerising narrative whisks us to Middle-earth, to gaze over the shoulder of the director as he creates the impossible, the unforgettable, and proves that film-making really is ‘anything you can imagine’.

From the 11th-century, when one commentator claimed the capital was being overrun with Moors, to the garage MCs and street poets of today – this book tells the story of life in London for black and Asian people from the 17th-century until today.‘London Calling’ tells the story of black and Asian literary London, tracing the escapades, fortune making, and self-expansion of these forgotten writers. It is a joyful and often rapturous work, a love letter to the capital, a teeming and complex mix of social and cultural history seen through the imagination and experience of great black and Asian writers. ‘London Calling’ gets to the heart of the immigration impulse, and evokes the dreams and adventures of those who have sought refuge and asylum in the cradle of Empire.The book is populated by runaway slaves, lotharios, imams, boxer-pimps, rajahs and colonial revolutionaries, and discusses writers as diverse in style and time as the 18th-century grocer-aesthete Ignatius Sancho right through to Rushdie, Kureishi and yardie chronicler Victor Headley. The result is an exciting work, brimming with life, as it spotlights a rich but neglected literary tradition, and brings to life a gaping void in the city’s history. Placing the multiculturalism of today’s capital in its historical context, Sukhdev Sandhu shows that it is no new phenomenon, and that just as London has been the making of many black writers, they too have been the making of London.